POETRY as a vehicle for TEACHING ENGLISH
September 5, 2005
Present: Susan, Rik, Maggie, Georgia, Paul, Chris,
Martha, Keith, Richard
POETRY
as a vehicle for TEACHING ENGLISH
INTRODUCTION:
We felt that poetry was a
great opportunity to contextualise language and so make learning more
motivating and fun. It is also an opportunity for students to do highly
creative things with language.
Many students though may
not like poetry even in their own language. They may find it confusing and
difficult to understand, especially in a foreign language, as metaphor and
abstractness are often key to the poetic effect. With such students,
activities where they create poetry may be a better approach rather than
trying to understand poetry from classical sources.
Poetic license also may
confuse some grammar-oriented students, at the same time it may delight
others!
When analysing poetry one
of the biggest challenges is finding good and accessible poems to use.
OUR IDEAS:
Georgia and Chris talked
about ‘Jabberwocky’ by Louis Carroll from ‘Through the Looking
Glass’.
http://www.jabberwocky.com/carroll/jabber/jabberwocky.html
|
Chris:
|
Read one verse from the
poem with his students
First.
Reviewed the
parts of speech (verb, adjective, …etc.)
Second.
Read one
verse of the poem and analysed it for the parts of speech (which is a verb,
which is an adverb …)
Third.
Students
tried to understand the meaning of the chosen verse
Fourth.
Students
wrote a summary of that verse to be shared and discusses amongst each other
The aim of that exercise
was to ‘get into’ a text that you don’t understand, go through it and
analyse it. How to ‘attack’ a text.
|
|
Georgia:
|
Taught the poem more for
‘tone’ and emphasis and as a practice for non-verbal communication.
|
|
Keith:
|
Used a poem “Valentine” by Carol Ann
Duffy about an Onion!
http://www.cs.rice.edu/~ssiyer/minstrels/poems/865.html
It’s a poem that uses
the onion as a metaphor for love. Students would then (after discussing
metaphors) offer other opinions or other metaphors of love (a pen, a beach
ball …) some of which were amusing.
|
|
Paul:
|
Used E.E. Cummings
http://www-scf.usc.edu/~thier/ee/
work in a university
class. E.E. Cummings is challenging, devoid of punctuations and
controversial. It could be used by higher level students to identify where
punctuation should /could go.
Paul also gave a handout
of some lyrics of songs with poetry that could be used in ESL. Songs often
make poetry more accessible and offer a new opportunity to listen to the “poem”.
The songs he offered, by
Michelle Shocked, http://www.michelleshocked.com/
contained a story that
could be analysed and used by students as a platform to relate their own
story and feelings.
One was a Ballad and is
a good introduction to story writing. (a pirate story in poetry). The other
called VDF is story of a childhood. http://www.mixed-up.com/lyrics/artists/shell.html
http://www.artistdirect.com/nad/music/artist/card/0,,492633,00.html
|
|
Keith:
|
Once used a poem that
had a story. The students read it and then he had the students rewrite it
as a new report or a regular story. Poems could be used this way –
transformed (for the sake of English practice) into a story, a play, a
re-enactment of the poem. Paul commented that country is good for stories.
|
|
Chris:
|
Once used ‘The Owl and
the Pussycat’- the students enjoyed it.
http://www.nonsenselit.org/Lear/ns/pussy.html
|
|
Keith:
|
Bring out the student’s
creativity as opposed to inputting a poem for them to read and analyse.
Talk about metaphors, put up some images on the walls and the learners then
come up with metaphors using those images and try to create a poem with them.
|
|
Chris:
|
Took the popular poem
‘Roses are red, violets are blue, sugar is sweet, and so are you’.
http://violetsareblue.info/
He then had the students
brainstorm different colours to replace the existing. They would then have
to readjust the poem for the new word (colour) to make once again a rhyme.
Some of them were amusing (roses are red, violets are white, I really love
you, so meet me tonight) – or something like that.
The learners would then
complete the class by voting which was the best poem, which was the
sexiest, the sweetest, the most daring …etc.
|
|
Keith:
|
Used Limericks; gave
examples, explained the pattern using names of people (There was a man
named Bill, who loved to climb a hill …). The students then would pick
different people’s names in the classroom and create a funny limerick
around that name. Of course, al the students enjoyed themselves with that
all while learning or practicing rhymes.
|
|
Chris:
|
‘Jazz Chants’ these are
passages that you must repeat with a rhythm. Example: (with a beat) ‘where
were you last night’ – ‘I’d rather not say’ – ‘who were you with last
night’ – I’d rather not say’ – more…
The students learn to
read and speak with a rhythm as opposed to speaking every word clearly and
independently. Jazz Chants have rhythm and repetition. Chris’ students for
the rest of the course would often answer (in a funny way) ‘I’d rather not
say’ to questions.
|
|
Chris:
|
Learning poetry is a way
for people to learn about a culture of a nation. You may dislike learning a
language but if you pick up some poetry (through books or through songs),
you increase your love for that language because you discover part of the
culture of the people.
|
|
Richard:
|
Pointed in the direction
of a source of language used in poems that can be found here: http://esl.about.com/cs/reading/a/blpoetry.htm
|
The additional file ‘Introduction
to Poetic Devices for ESL Classes.doc’ is from http://esl.about.com
– a wonderful resource managed by Kenneth Beare.
|
Microsoft Word
Document
Poetry
and Songs.doc
Additional Files
Introduction
to Poetic Devices for ESL Classes.doc
|